[Non-review] Art Stage Singapore 2012

First part of the Art Stage experience here. (With pictures of Zhao Renhui’s and Michael Lee’s stuff.)

Part three coming up soon. (That’s the interesting one.)

Watch this space.

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Paintings of Sage’s Traces No.1 (2011), Zhang Huan. Incense ashes and adhesive on linen.

Penghargaan, Yudi Sulistyo. Paper.

Icon – Pulp Fiction (2011), Lee Dong-jae. Acrylic, resin object (?) on canvas.

No Title – Yellow (2011), Wu Gaozhong. Mized media.

Navin Rawanchaikul’s works at the Yavuz Fine Art booth.

Childhood – Horizon (2010), Chen Wenling.

Untitled (2009), Ng Joon Kiat. Oil on canvas.

Mercy! Mercy! Mercy! (2011), Made Wiguna Valasara. Rubber silicone.

Subtitle 9 and Subtitle 4 (2010), Clemens Krauss. Oil on canvas.

Coca Killer (2007), Kira Kim. LED system as installation.

[right] Dialogue (2011), Ufan Lee. Oil and mineral pigments on canvas. [left] Marble Chair (2008), Ai Weiwei. Marble.

Vermeer Study: Looking Back (Mirror) (2008), Yasumasa Morimura. Colour photograph mounted on canvas.

Ji Zhou’s Dust series (2010).

Calendars (The Past) series (2011), Heman Chong. Acrylic on canvas.

Miss Mao No.2 (Silver), the Gao Brothers. Painted fiberglass.

Ren Vertu d’Humanite (2011), Fabienne Verdier. Pigments and ink on canvas.

Ma Jun’s series of porcelain works at the Galerie Michael Schultz booth.

The Full Moon Story series (2008), Kim Kyung Soo. Giclee prints.

S Plus, Dadang Christanto.

Steps No.1, Shi Jindian. Coloured stainless steel wire.

era 2 (2011), Peter Zimmermann. Epoxy resin on canvas.

Incendiary Texts II series, Vertical Submarine. [middle] Lim Beh Boey Song (Your Father Not Happy) (2012). Mixed media. [bottom] Lan Jiao Bin (Cock Face / Bluebird Face) (2011). Mixed media.

Campbell’s Soup II (1969), Andy Warhol. Silkscreen on paper.

Emotion of Noodle, Luo Xiangsheng.

Deng Lijun (2005), Zhou Tiehai. Acrylic (airbrush) on canvas.

[top] You Made Me LOVE You (2010). Neon. [bottom] And I Said I Love You! (2011). Neon. Both Tracey Emin.

Green City: Dragon Veins, Hidden Bumps and General Election 2011 (2011), Ng Joon Kiat. Acrylic on cloth.

“Mark and Flappers”, Carol Jerrems

Its almost three in the a.m. and I’m still lucid, lying in bed waiting for the next signal to make a mad dash for the bathroom.

Image of the night: Australian photog Carol Jerrems’ Mark and Flappers, a picture of two sharpie boys from 1975, currently in the collection of the National Gallery of Victoria.

I love the simmering homoeroticism of the scene … unsurprisingly.