Let them eat (bruise) cake.
Artwork of the day: NY-based culinary artist Victoria Yee-Howe‘s bruise cakes (above).
Created during the artist’s stint in residence at Seattle’s Arabica Lounge, these er, ecchymosis-inspired confections were created, according to a write-up on Edible Geography, by “photo transfers (images printed on rice paper with edible ink) of bruises caused by six past lovers, mining her photographic archive to share her skin’s ephemeral records of damage in equally fleeting form.”
Indeed. The slippage here between the abused female body (as a result of voluntary sexual shenanigans or otherwise), and the undeniably sexual, possessive act of oral consumption (what could be more .. irreversible an act of ownership ?), is too salient to be missed.
A piece on the Art21 blog mentions that Yee-Howe is also the founder of the Chinatown Cake Club (CCC), a private dessert club based out of an apartment in Manhattan’s C-Town, where one can “eat and socialize, watch screened movies, read the paper, or “simply sit in the corner and eat cake until you puke.” Under the auspices of the CCC, Yee-Howe has also created what she calls the Artist Tribute Series, a range of special, dedicated cakes, one of the more striking of which (below) featured David Wojnarowicz’s Untitled (Face in Dirt) of 1990. A guest, who runs the Obsessive Sweets blog, described it as “a devil’s food cake filled with homemade citrus curd, chocolate mousse and covered in vanilla bean frosting.”
YUM.
Unless otherwise stated, all images in this post from the artist’s personal site.
Image courtesy of Obsessive Sweets.


[...] an aesthetic one.. A more germane comparison is probably NY-based artist Victoria Yee-Howe‘s bruise cakes, which, like Black’s concept of fingerprint-ed ang ku kueh, also conflates food and the soma. [...]
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